![]() The conclusion is a rip-off "Back to the Future" and does not make much sense that Sarah comes back to the present days to clear her name and return to the past to stay with Mark. The movie pays a tribute to several horror movies and entertains but it is silly and does not work well in many parts. Zach Galligan is also different from the original clumsy and rich Mark. "Waxwork II: Lost in Time" is the sequel of "Waxwork" without Deborah Foreman that turned the offer down and was replaced by Monika Schnarre in the role of Sarah. They travel to the most different places in time seeking something to help Sarah in her trial in a dangerous journey. They solve the puzzle and find a compass that opens portals through time. They find a footage prepared by Sir Wilfred with a puzzle based of the Alice and the Looking Glass. Mark and Sarah search evidence to prove her innocence and they go to Sir Wilfred's house. Sarah becomes the prime suspect and goes to trial. Mark (Zach Galligan) and Sarah (Monika Schnarre) survive to the fire in the wax museum, but Sarah is followed by a severed hand that kills her alcoholic stepfather. Steve Schiff's neatly varied and robust score does the thrilling and flavorful trick. Gerry Lively's polished cinematography gives the picture a crisp high-gloss look. The ending credits rap song and accompanying video is simply sidesplitting. Popping up in nifty bits are Bruce Campbell (in stellar spirited deadpan form and sporting a nasty open chest wound), David Carradine, Patrick Macnee (briefly back as the jolly Sir Wilfred), John Ireland (in his last movie role as King Arthur), Drew Barrymore, and George "Buck" Flower (who gets killed by a lethal disembodied hand!). Alexander Godunov has a ball as wicked black arts practitioner Scarabis, Martin Kemp does well as Baron Frankenstein, and Michael Des Barres is a slimy treat as effeminate baddie George. Cranking up the blithely dippy black humor to the gut-busting ninth degree, laying on a handy helping of graphic gore, and paying merry homage to a slew of classic horror items that include "Alien," "The Haunting," "Frankenstein," "Nosferatu," "Godzilla," and "Dawn of the Dead," Hickox takes the viewer on a giddy fantasy adventure that's admittedly cheesy as all hell, but still quite funny and entertaining thanks to its boundless energy and all-out unapologetic stupidity. The Times They Are A-Changin’ (with Austin de Lone) 5:26 ĥ.Writer/director Anthony Hickox cheerfully throws logic, basic sense, and seriousness completely to the wind in this gloriously asinine sequel which finds lone survivors Mark (affable Zach Gilligan) and Sarah (winningly played with considerable spunky charm by the gorgeous Monika Schnarre) traveling through a time portal and getting thrust into a crazy alternate universe where the forces of good and evil battle it out for all eternity. Truck Stop At The End Of The World 3:14ĥ. Ain’t Got Time For The Blues (with Maria Muldaur) 3:53ģ. Man In The Bottom Of The Well (with Elvis Costello) 4:36Ģ. The tracks below are available on vinyl, here, for the first time.ģ. (All thirty-eight tracks including some bonus material are available on a two-CD set are featured in the player). ![]() This limited-edition vinyl album contains a selection of highlights from the period. Over a ten-year period commencing in 2006, he made albums exclusively at Proper Records’ SPECIFIC SOUND studio in London – until it was demolished when we moved premises. Playing guitar has been his only job ever since. ![]() Telecaster master Bill Kirchen was right there at the BIG BANG of Americana as a founder member of Commander Cody and his Lost Planet Airmen in 1967.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |